KHACHATURIAN CLARINET TRIO PDF

Trio in G Minor for Clarinet, Violin and Piano Aram Khachturian is generally celebrated as the foremost Armenian composer of the 20th century synthesizing European "classical" art music with striking elements of Eastern Eurasian folk music in a vivid nationalism that reflects multiple cultures under the sprawling aegis of Soviet Union. An outstanding conductor and teacher as well, Khachturian is remembered today primarily for his orchestral music comprising symphonies, concerti, ballet and film music, his most popular "hit" being the Sabre Dance from the Gayane suite. He was born and raised in Tbilisi, Georgia then part of the Russian empire where he was initially inspired by numerous folk music traditions from Armenia, Azerbaijan, Uzbekistan and Georgia. A young, provincial seventeen-year old Khachturian moved to Moscow to pursue a higher education, first in biology, then cello performance, and finally composition.

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Trio in G Minor for Clarinet, Violin and Piano Aram Khachturian is generally celebrated as the foremost Armenian composer of the 20th century synthesizing European "classical" art music with striking elements of Eastern Eurasian folk music in a vivid nationalism that reflects multiple cultures under the sprawling aegis of Soviet Union.

An outstanding conductor and teacher as well, Khachturian is remembered today primarily for his orchestral music comprising symphonies, concerti, ballet and film music, his most popular "hit" being the Sabre Dance from the Gayane suite. He was born and raised in Tbilisi, Georgia then part of the Russian empire where he was initially inspired by numerous folk music traditions from Armenia, Azerbaijan, Uzbekistan and Georgia.

A young, provincial seventeen-year old Khachturian moved to Moscow to pursue a higher education, first in biology, then cello performance, and finally composition. Following years of study and practice, Khachturian would achieve an international reputation drawing praise from Prokofiev and Shostakovich his nearly exact contemporary , who, like Khachturian himself, won awards as well as withering censure from the Soviet state. Although he wrote very little for intimate ensemble a handful of duo character pieces, a violin sonata and a fugue for string quartet , in , at the age of 29, still a student, Khachturian composed a marvelous three-movement trio for clarinet, violin and piano.

The arguably more famous clarinet trios from Mozart, Beethoven, Schumann Bruch and Zemlinsky are all scored for clarinet with piano and viola or cello. The trio features three movements in a somewhat novel pattern of slow — fast - slow. Here and throughout the trio, you hear the distinctive duo of undulating, decorative elaborations evoking a highly emotive, improvisational cantillation.

The second movement celebrates dance and a scherzo impulse with alternating slow and fast sections featuring that brisk motoric drive that sounds at once like both early modernism and ancient folk music. The more moderate finale is a theme and variations based on an Uzbek folk melody giving Khachturian an ample vehicle for demonstrating the riches of this ensemble supremely suited to his unique style. Melody and descant, call and response, haunting unisons and evocative intervals flow through a river of shifting tempi, mood and instrumental color that eventually grows soft and sorrowful until it flickers and fades into a deeply charged silence.

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The Trio dates from while Khachaturian was still studying with Myaskovsky, who was so impressed with the work that he arranged for it to be premiered in Paris. The opening Andante con dolore, molto espressione is a duet for the clarinet and violin, almost improvisational, with the piano accompaniment adding a complex layer seemingly in rhythmic conflict with the other instruments. The finale, Moderatois a set of nine variations based on an Uzbek folk melody, featuring several exotic intervals. Like most of the repertory on the CD, it reflects the influence of folk-style khacahturian, improvisationally in the opening Andante con dolore, more assertively in clafinet vigorous Allegro that follows. Prokofiev was so impressed with this piece that he was able to see that it was performed and published in Paris soon after it was completed. Genre Chamber Music Classical.

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