Toda a aзгo do livro se passa num sу dia, o dia 9 de Maio de A localizaзгo precisa da aзгo й dada logo no inнcio: Sгo Paulo, 9 de maio de Rapidamente, somos expostos a textos que expressam o que poderia ser um mнnimo recorte de uma visгo aйrea da megalуpole. Em cada um desses textos podemos encontrar desde oraзхes religiosas, cenas de amor e violкncia, уdio e paixгo, seres que se completam e seres que nunca se compreendem. Luiz Ruffato busca desvendar Sгo Paulo.

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The short stories are neither interrelated nor have a chronological order. The only thing that connect them are the poor working class characters, underemployed or in illegal trades such as prostitution. The book was well received by the specialized critique.

All stories deal with the hardship of life, the suffering of the lower classes and a pervasive lack of hope. The language of the stories explore the spoken vernacular and popular expressions. With a non linear structure, the book is made of 70 fragments. The book draws from several social classes and social discourses including advertising, theatrical etc.

The series continued withO Mundo Inimigo, published a year later. Each volume deals with a particular moment in the history of Brazilian proletariat. According to Ruffato, in a interview,: Mamma, son tanto Felice deals with the question of the exodus from countryside to the city in the 50s and 60s; O Mundo Inimigo discuss the establishment of this first generation of proletarians in a small Brazilian industrial city in the 60s and 70s; Vista Parcial da Noite describes the confrontation of the rural and urban imaginaries in the 70s and 80s.

The fourth volume, O Livro das Impossibilidades, traces the behavioral changes of the 80s and 90s while the last volume, [Domingos Sem Deus] inquires into the beginning of the twenty-first century. According to Ruffato, this long project was imagined even before he had published his earlier novels. Glimpses of this narrative appears in his short stories collections. From conception to publication, the series took more than 20 years of work. The project sent different writers to different cities in the world, where their assignment was to reside and to write a love story.

Rio de Janeiro: Record, Organized Collections Leituras de Escritor. Emediato, Luiz Fernando. Tarja preta — Rio de Janeiro: Objetiva, Quando fui outro — Rio de Janeiro: Objetiva, O ataque. S Editor, , p. In: Tarja preta — Rio de Janeiro, Objetiva, , p. O repositor.


Eles eram muitos cavalos, de Luiz Ruffato

Em , abandonou a carreira de jornalista para se tornar escritor em tempo integral. Rio de Janeiro: Record, Flores Artificiais. Tarja preta - Rio de Janeiro: Objetiva, Quando fui outro - Rio de Janeiro: Objetiva, O ataque. S Editor, , p.




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